In the film, Mulan, we see a Chinese girl who is very different than the rest of the women around her. She does not seem to fit the mold of a “good bride” and even fails to impress the matchmaker at the beginning of the movie (the matchmaker is even keen to say that Mulan is a “disgrace.”) However, though Mulan seems quirky and different, going off to fight the Huns in place of her father, in the end she chooses to leave a position of power usually given to men to go home to her family and be a “good daughter.” In Mulvey’s piece she argues that we need to make films that will undermine the idea of giving men the power and making women the objects that are merely looked at and ultimately bow down to giving men the power. Even in the movie, Chi Fu (when he is told that Mulan saved
-Christiana
1 comment:
Why did the filmmakers have to end the film this way? Was it intended as a nod to patriarchal views, to female viewers who might find Mulan's character unrelatable, or something else? I'm not sure, but it is unsettlingly empty in light of all that the character IS allowed to do in the film.
You might also be interested in this article that came out yesterday in the New York Times:
http://www.nytimes.com/2008/05/04/movies/moviesspecial/04dargi.html?partner=rssnyt&emc=rss
The author takes Hollywood to task for its continued lack of useful portrayals of women.
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